Brazilian Rosewood Back and Sides: Brazilian rosewood is highly desirable, exceptionally rare and heavily regulated. It is regarded as one of the finest tonewoods; hard, stiff, and highly resonant with a glass-like ring that sustains; it has a floral scent, similar to roses, thus the name. A very hard, heavy wood that produces a loud, warm, rich tone, with full deep bases, and brilliant trebles, know for it’s sustain and clarity. Can vary from brick red and burnt orange to shades of dark brown to violet color with black spidery streaks, it looks best when quarter sawn, and can exhibit straight grain and homogenous color or wild landscape-like figuration, often compared to spider webbing.Learn more about the back and side tonewoods.
Sitka Spruce Top: Sitka spruce is grown in the northwest, and has been the primary top wood for U.S.A. instruments for many decades. It is strong, light, and gives an extended harmonic content and nearly equals the power of Adirondack. Strong, focused tone with a solid fundamental — perfect for flatpicking styles. Usually takes a slightly longer period of playing time to open up. When compared with Eurpean spruce, Sitka delivers warmer, more fundamental sound, largely free of overtones. Learn more about top tonewoods.
Concert Body Shape: The Concert is our most popular body shape, favored by players because it is well-balanced, compact, comfortable to play, and offers all the qualities of a great sounding guitar. It generates a wonderfully articulate range of tone with an ample low end that is never boomy, but always felt. The Concert works well when played fingerstyle, as vocal accompaniment, or at a full strum. Learn more about the body shapes.