Brazilian Concert Guitars
To celebrate Breedlove’s 25 years, we are offering this extraordinary concert, crafted with the world’s finest tonewood - Brazilian rosewood harvested in 1950’s & 60’s and carefully aged in a warehouse near Madrid, Spain. This limited edition of 50 has all of the legal paperwork enabling the guitars to travel and be conveyed throughout the world. The Sitka spruce soundboards were salvaged outside of Craig, Alaska. This is the first time Breedlove has offered a documented Brazilian rosewood instrument at this value.
- Brazilian Concert Specifications
- Body Type Concert
- Neck Wood Honduran mahogany
- Solid Wood Top Solid Sitka spruce
- Solid Wood Back & Sides Solid Brazilian rosewood
- Top Finish Gloss
- Fretboard Ebony
- # Frets 20
- Nut Width 1 3/4"
- Tuners Hardware Gold Gotoh 510
- Lower Bout Width 15”
- Upper Bout Width 11 1/4”
- Body Length 20”
- Pickup LR Baggs Anthem TRU-Mic
- Case Ameritage built
The Breedlove Concert is the original Breedlove shape. It first appeared in 1992, and has been the best-selling Breedlove body shape ever since. Designed specifically for the fingerstylist to be well balanced, compact, and comfortable to play, it generates a wonderfully articulate range of tone with an ample low end that is never boomy, but always felt. The unique construction also allows the Concert to sing even at a full strum. If you’re a fingerstylist, or are seeking an instrument to use as vocal accompaniment, this is the shape for you. The Concert is engineered to provide exceptional sustain with a pronounced bass response, both of which can be achieved with a light touch. The graduated top works in harmony with the Breedlove Bridge Truss to provide an even response throughout the lows, mids, and highs, with sustain, and clear, concise, note-for-note projection.
Breedlove graduated tops, featured on select models, contribute stunning balance from lows to highs. How? Graduated tops are slightly thicker on the treble side, balancing the higher energy treble frequencies with the lower energy bass frequencies traveling through the thinner bass side. The result: clearer, cleaner highs and stable, resonant lows. Because no two soundboards are exactly the same, Breedlove craftsmen evaluate each top for stiffness and density, and then graduate it accordingly. The amount of graduation is customized for each individual instrument. The top is sanded to the precise graduated thickness to achieve optimal flexibility and stiffness. This hands-on process is one of the major contributors to the Breedlove sound.
Breedllove Bridge Truss
The Breedlove Bridge Truss (BBT) reduces tension on the soundboard of the guitar, so the top wood is able to vibrate more freely, producing remarkable sustain, balance, and clarity. The BBT also allows for a thinner graduated top, thereby allowing Breedlove craftsmen to bring out the optimal sound from the top wood without sacrificing structural stability. Relieving much of the string tension from the bridge prevents “bridge belly,” ensuring top stability for decades. Guitar strings can exert up to 230 pounds of pull from the nut to the bridge. Traditional methods for preventing top bowing at the bridge usually involve heavy internal bracing and thicker tops. The BBT compensates for this pressure in an innovative way: The BBT is mounted to the bridge from the inside and is connected into the tail block of the guitar, pulling downward on the underside of the bridge to distribute some of the tension, relieving pressure on the top. The resulting tonal effect on BBT-equipped guitars is more resonance and livelier sound with enhanced overtones.
Breedlove guitars feature a slimmer neck profile, which enables comfortable play, even with smaller hands. Unlike traditional dovetail neck joints that require major surgery for a neck re-set, it is easy to adjust the play action and neck angle with the Breedlove bolt-on neck and single-action truss rod. The hand-rubbed, semi-gloss Breedlove neck finish contributes to ideal playability – the finish process alone takes three days, including precise finish coat applications, fine sanding, and hand buffing and rubbing.
The asymmetrical headstock is featured on CM, Concert, Auditorium, and 12-String body shapes. This headstock isn’t just a pretty shape – it’s specifically designed to keep the strings in a straight, even line from the nut to the tuning pegs. The result is even tension, stable tuning, and ease of alternate tuning