Maple Back and Sides: Maple is great for standing out among other instruments. With a powerful fundamental and even harmonics, it is clear and present, but without pronounced peaks and valleys in the harmonic content. It’s a great top wood for strumming and is often used on big-bodied guitars. Learn more about maple.
Bearclaw Spruce Top: Bearclaw Siika spruce has a shallow, cross-grain curl that seems to increase cross-grain stiffness in acoustic guitars. Many luthiers feel that it enhances the tone and sustain of spruce. Strong, focused tone with strong fundamental — perfect for flatpicking styles. Usually takes a slightly longer period of playing time to open up. Not so cleanly defined as European spruce but, instead, as warmer, more fundamental, and largely free of overtones. It’s a good, solid sound and bluegrass flatpickers and folk-musicians tend to like it a lot. Looks like a bear has clawed across the grain of the wood. Highly appreciated for its unique patterns, resulting in an eye-catching shimmer. The figure in bearclaw is not actually caused by a bear clawing the tree. While the true cause of the figure is unknown, it is widely assumed to be caused by either genetic mutation or climactic stress. Learn more about Bearclaw.
Concert Body: The Concert is our most popular body shape, favored by players because it is well-balanced, compact, comfortable to play, and offers all the qualities of a great sounding guitar. It generates a wonderfully articulate range of tone with an ample low end that is never boomy, but always felt. The Concert works well when played fingerstyle, as vocal accompaniment, or at a full strum. Learn more about the concert body shape.
Custom Features: Single abalone rosette, Gold Gotoh 510 tuners with Ebony Buttons, Winged Ebony bridge, gold strap buttons, LR Baggs Anthem pickup.
